000			02572nam a22002537a 4500
003			OSt
005			20220425184331.0
008			120524t1980 enka|||| |||| 00| 0 eng d
020			_a0139367322
040			_aGalería Santa Fe _cCO-BoGSF
041			_aeng
082			_a750.18 M15u
100	1		_aMalins, Frederick _9222
245	1	0	_aUnderstanding paintings : _bthe elements of composition / _cFrederick Malins.
260			_aOxford : _bPhaidon, _c1980.
300			_a128 páginas : _gilustraciones algunas a color ; _c29 cm.
500			_aIncluye tabla de contenido.
505			_aPoint: point as position. -- grouping. -- point as pattern. -- point as focus. -- point as movement. -- point as texture. -- Line: line used to express feelings and emotions. -- line as a compositional element. -- the line analyzsed. -- line as structure. -- line as contour. -- line expressing transparency. -- line as movement. -- line as force. -- line as pattern. -- line as texture. -- Perspective: aspects of linear perspective in composition. -- the eye level or horizon line. -- one-point, two-point, three-point perspective. -- the rectagle in one-point perspective. -- the circle in perspective. -- early beginnings. -- development of one-point perspective. -- multiple viewpoint. -- forced perspective. -- perspective of the dream. -- ambiguous perspective. -- Geometry: geometry and the golden section. -- the golden section as the basis of geometric proportion. -- geometry as pattern. -- geometry as construction.-- the circle; geometry as movement. -- geometry as shape and form. -- geometry as subject. --Tone: tone as form. -- tonal composition and tone values. -- tone as lighting. -- tonal simplicfication. -- tone as distance (aerial perspective). -- tone as pattern; pattern by counter-change of tones. -- tone as rhythum; tonality-the tonal concept. -- Colour: hue.-- value. -- chroma.-- colour as mood.-- colour as symbol.-- colour as space (aerial perspective).-- colour as light and movement.-- colour as form. -- Drawing: the point, and the point as movement. -- line as contour. -- line as movement. -- line as perspective and implied perspective. -- line as geometry. -- line as form by cross-section. -- line as form by direction of oplane. -- line and tone.-- tone as form by lighting and by plane. -- tone as space and as value. -- tonal analysis. -- Composition: analysis of composition.
650	0	4	_949848 _aPINTURA _xTÉCNICA
650	0	4	_98280 _aCOMPOSICIÓN (ARTE)
650	0	4	_950385 _aPERCEPCIÓN VISUAL
942			_2ddc _cBK
999			_c58884 _d58884
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