000 02198nam a22002537a 4500
999 _c59808
_d59808
003 OSt
005 20210510214234.0
008 120914t1960 us a|||| |||| 00| 0 eng d
040 _aGalería Santa Fe
_cCO-BoGSF
041 _aeng
082 _a759.6 E91s
100 _950784
_aEvans, Grose
245 1 0 _aSpanish painting :
_bin the National Gallery of Art /
_cGrose Evans; National Gallery of Art.
260 _c1960.
_aWashington :
_bNational Gallery of Art,
300 _a43 páginas :
_bilustraciones a color ;
_c19 cm.
500 _aContiene índice de artistas.
505 _aGoya y Lucientes, Francisco José de (Gaw-ya ee Loo-thee-en-tes, Fran-thees-co Ho-say day) -- Goya y Lucientes, Francisco José de, Attributed to. -- Greco, El (Grek-oh, L) -- Hamen y Leon, Juan van der (Ah-men ee Lay-on, Whan van dar) -- Hispano-Dutch Master -- Juan de Flandes (Whan day Flahn-des) -- Murillo, Bartolomé Esteban (Moo-ree-yo, Bar-toe-low-may Ess-tay-ban) -- Valdés Leal, Juan de (Val-dess Lay-ahl, Whan day) -- Velázquez de Silva, Diego (Vay-lath-keth day Sil-va, Dee-aye-go) -- Zurbarán, Francisco de (Thoor-bah-ran, Fran-thees-co day).
520 _aThe earlies Spanish paintings in the National Gallery of Art reflect the taste of the age of Ferdinand and Isabella (c. 1474-1516). At that time Spanish nobles and prominent clergy imported both paintings and painters from Flanders, which was a very prosperous section of north Europe. It comprised the countries now called Holland, Belgium, and Luxembourg; also it included a number of important centers in northeastern France. During the fifteenth century this area produced magnificent painting, noted for its astonishingly detailed realism. Queen Isabella must have become especially fond of the jewellike Flemish pictures, for she employed two artists from Flandes, Sithium probably studied with Memling in Bruges, while the work of Juan de Flandes shows the influence of Gerard David of that same city.
610 4 _9959
_aNational Gallery of Art
_vExposiciones
650 0 4 _9605
_aPINTURA ESPAÑOLA
_vEXPOSICIONES
650 0 4 _949627
_aPINTORES ESPAÑOLES
_vEXPOSICIONES
710 _9959
_aNational Gallery of Art
942 _2ddc
_cBK